The stage comedian Carlo Verdone directed and stars as the three main characters -- Furio, Mimmo, and Pasquale -- in this classic Italian comedy. All three men are driving back to their hometowns to vote on election day, and each has a different story and a different though easily recognizable personality type. The movie follows by a year Un Sacco bello (1980). Both the movies are just a kind of "collage" of all Verdone characters played during his TV shows in the '70s. Nevertheless clearly we are in front of his first steps as film director, Carlo demonstrated already his big talent to underline trough his comedies the Italians and their defects. For anyone interested in Verdone cinema this is a must. For everyone happy to see a fine comedy about Italians this is a must. To have funny time in the Verdone's way this is a must. Twenty-four year later this "Bianco, rosso e Verdone" is still actual and unequaled. A must see.

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这部电视剧以一个女警在调查一起连环杀人案为主线，展现了她与受害者和嫌疑人之间的复杂关系。受害者和嫌疑人之间的爱恨情仇，使女警成为了最大的嫌疑人。在调查过程中，女警发现证据都指向嫌疑人，而他和死者之间的纠缠不清，使她陷入了困境。这部电视剧通过一个引人入胜的故事，让观众深入探讨了爱、人性、正义和复仇等主题。

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在面临裁员危机的背景下，胡建林因为一次阴差阳错的调整被调入集团总部，开始了他在大厂中的升职加薪之路。

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影片中的演员们都非常出色，他们的演技完美地诠释了角色的情感。特别是提莫西·查拉梅的演绎，让人更加喜爱他的表演。

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开开心心冲着《우리최고의순간》走进电影院，开头还因为第一次在国外听见四川话发笑。从第一镜头就开始感觉不对劲，从头看到尾我一直在疑惑，到底是什么原因可以送来参加釜山电影节。婚姻，乡镇城市，小孩子中年人老年人的焦虑烦恼，一地鸡毛都想讲，什么都讲的一地鸡毛。黄璐全程死妈脸演技和一堆话剧式表演在搞什么演技对冲吗？刻意的台词，浮夸的演技，敷衍的美术。到底是怎么做到从剧本，表演，节奏，画面没一样拿得出手的？就像拍中年版的张瀚在自我高潮。用好的设备好的资源和一堆明星，拍了