The Brazilian version of "Floricienta" tells the modern fairy tale of Maria Flor, a Cinderella-in-sneakers. She is a sweet-hearted young girl, who delivers vegetebles and is also the lead singer of her band. The band is contracted by the Fritzenwalden family for their party, organized by the five Fritzenwalden orphaned children. The party coincides with the arrival of Fred, the older (and bossy) Fritzenwalden brother from Germany. After the younger Fritzenwalden Joca runs away from the mansion to Flor's place, a series of misunderstandings turn her into the babysitter of Fred's brothers and sisters. Fred's current girlfriend Delfina and her mother Malva, both equally ambitious, move to the mansion with rogue intentions for the family, as well as for their kinder babysitter. For their desperation, Maria Flor is the lost heiress of the Fritzenwalden - as well as a romance inevitably starts to grow between her and Fred.
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《志愿军》是一次对同类题材的“返璞归真“。在近年间的电影中,我们看到了很多做出新意的作品,如张艺谋父女合作的《狙击手》,以绝对微观的视角出发,展现了普通一兵的奋战与牺牲,并将其表面上的“不为人知之微小胜利”放大,外扩到了结尾出现的军队集体之上,突出了小我奉献汇聚而成民族可观强盛的主题。而在陈凯歌的《长津湖》中,士兵以家庭与亲情的诉求出发,延伸出了对“每个人的家”之国家的奉献精神,形成了小我与集体的统一。与之相应地,更加传统与经典的作品反而显得有些稀有了。上述的几部作品,