Haunted by the death of his father and other psychological traumas, Daniel (Roberto Scorza) returns to the home where he was raised. Faced with intense emotional scars, as well as physical -- which are realized by the years of self-harm depicted by the cuttings adorning his body -- he enters the bathroom to begin a journey of self-exploration, self-mutilation and quite possibly, self-enlightenment. Prepared only with three white candles and some crude instruments, Daniel attempts to beckon the embrace of the Goddess Ishtar (Flora Giannattasio) to assist him on his self-illumination. Beginning with a blade, Daniel digs into the palm of his hand, as deep crimson flows into the bathtub. Lapping up the blood from his fresh gash he sexually caresses the wound with his tongue (ala cunnilingus), thus commencing his voyage.

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该剧：一位自媒体主编因为发表了一篇备受瞩目的文章，意外卷入了一场意想不到的网络事件。她的合伙人何言和资本集团总裁岳鹏也被牵扯进其中，真相渐渐浮出水面。这部电影以紧凑的故事情节和引人入胜的角色，呈现了网络世界中人性的善良与黑暗。（条）

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在这部电影中，徐若晗和张开泰分别饰演了夏末和初秋两个性格迥异的年轻人，他们之间的爱情故事充满了青春气息。片中的情节紧凑，剧情引人入胜，展示了两人在生活中经历的种种误解和挑战，以及他们最终如何勇敢面对现实，拥抱彼此。

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作者：彼得·布拉德肖发表日期：年月日译者：八月三十一评分：★★★★★（五星为满分）如果导演的胜利时刻即克服“影响的焦虑”（注：克服大师们的影响，形成自己的风格）——至少是一小部分——那么丹尼斯·维伦纽瓦可能已经做到了。这部宏大而令人敬畏的史诗，就像是充满陌生感的外星大教堂，比上一代公认的大师的尝试更为优秀。大卫·林奇年的《沙丘》是一部有趣、喧闹、有缺陷的电影，它试图将弗兰克·赫伯特的经典科幻小说的全部内容塞进电影里——结果就像没有笑点的《飞侠哥顿》。

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该片的儿子马墨则是一个具有个性和内心世界的人物，他的自杀和父亲的代笔遗书，展现了他的成长和内心的挣扎。